Download Film Tokyo Species 2012
Contents • • • • • • • • • • • • • • • • • • Origins [ ] Kaiju originally referred to monsters and creatures from ancient Japanese legends. The word 'Kaiju' first appears in. After, opening Japan to foreign relations, Japanese came to use the term kaiju to express concepts from and from around the world. Football player ki. For example, in 1908, during the, it was suggested that the extinct was in, referred to as kaiju.
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However, there are no traditional depictions of kaiju or kaiju-like creatures in but rather the origins of kaiju are found in. The title of the first film with the name of the Kaiju is an atomic Kaiju appears ( 原子怪獣現わる, Genshi Kaiju ga Arawareru), the title of The Beast from 20,000 Fathoms in Japan. (transliterated to Godzilla) is regarded as the first kaiju film and was released in 1954., a producer for in, needed a film to release after his previous project was halted and upon seeing how well American giant monster movie genre films and had done in the box offices of, as well as personally being a fan of the films, Tomoyuki Tanaka set out to make a new movie based on those American giant monster movies and created Godzilla. Tomoyuki Tanaka aimed to combine Hollywood giant monster movies with the re-emerged Japanese fears of, which came about due to the fishing boat incident, and so he put a team together and created the concept of a radioactive giant creature emerging from the depths of the ocean which would become the iconic monster Godzilla. Godzilla was initially met with commercial success in Japan, inspiring an entire genre that came to be known as kaiju movies. Terminology [ ] Kaiju [ ] The term kaiju translates to 'strange beast'.
It is a and giant creature that often takes the role of either,,. Is an example of a kaiju; others include,,,,,,,,,. The term ultra-kaiju is longhand for kaiju in the. Daikaiju [ ] Daikaiju ( 大怪獣, large kaiju) roughly translates as 'large strange beast' and refers to the larger monsters. The literal translation is about a size difference between a kaiju and a daikaiju, with the implication that the daikaiju is the greater of the two types. The exact definition of what determines a kaiju from a daikaiju is debated. This term is used for the most powerful kaiju, the prefix dai- emphasizing great power or status.
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The first appearance of daikaiju is in the Japanese title of, Sora no Daikaijū Radon ( 空の大怪獣 ラドン, 'Radon, Giant Monster of the Sky'). Godzilla, Rodan and Mothra are the san daikaiju, the three great kaiju. An example of the term exists in a 1908 book.
Kaijin [ ] Kaijin (怪人) refers to humanoid kaiju found in tokusatsu, and is literally translated as 'monster man' or 'mystery man'. The from the are examples of kaijin. Seijin [ ] Seijin ( 星人, star beings) is a Japanese suffixal term for extraterrestrial aliens, such as 'Kaseijin (火星人)', which means '. Aliens can also be called 'Uchujin' (宇宙人) which means 'space beings'. Kaijū eiga [ ] Kaijū eiga ( 怪獣映, ): A featuring many giant monsters or a single giant monster. Has produced a variety of kaiju films over the years (many of which featured Godzilla, Rodan and Mothra) but other Japanese studios contributed to expanding the genre in Japan by producing films and shows of their own, including a.k.a.,, and and Studios. Suitmation [ ] A technique that was developed to portray the kaiju.
An actor plays the part of the kaiju while in an articulated costume. [ ] Monster techniques [ ] Eiji Tsubaraya, who was in charge of the special effects for Gojira, developed a technique to animate the kaiju that became known colloquially as suitmation. Where Western monster movies often utilized a technique known as to animate the monsters, Tsubaraya decided to attempt to create suits, referred to as a, for a human () to wear and act in. This was combined with the use of miniature models and scaled down city sets to create the illusion of a giant creature in a city.
Due to the extreme stiffness of the latex or rubber suits often filming would be done at double speed, so that when the film was shown the monster was smoother and slower than the original shot. Kaiju films also utilized a form of interwoven between suitmation scenes which served to have shots that were physically impossible for the actor to perform in the suit. Later (CGI) was used for certain special sequences and monsters, but overall, the suitmation technique has been present in an overwhelming majority of kaiju films produced in Japan of all eras. American produced kaiju films strayed from suitmation to focus on CGI in western releases starting with the 1998 release of Godzilla. These suitmation techniques were adapted by almost all kaiju films, and continue even in modern Japanese kaiju films and tokusatsu although more stop motion and CGI are utilized. Selected media [ ] Films [ ].