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Dan Brown's controversial best-selling novel about a powerful secret that's been kept under wraps for thousands of years comes to the screen in this suspense thriller from director Ron Howard. The stately silence of Paris' Louvre museum is broken when one of the gallery's leading curators is found dead on the grounds, with strange symbols carved into his body and left around the spot where he died. Hoping to learn the significance of the symbols, police bring in Sophie Neveu (Audrey Tautou), a gifted cryptographer who is also the victim's granddaughter.

Needing help, Sophie calls on Robert Langdon (Tom Hanks), a leading symbolized from the United States. As Sophie and Robert dig deeper into the case, they discover the victim's involvement in the Priory of Sion, a secret society whose members have been privy to forbidden knowledge dating back to the birth of Christianity. In their search, Sophie and Robert happen upon evidence that could lead to the final resting place of the Holy. . Alternate Versions An extended version is available on DVD and is 26 minutes longer. The additional scenes include, among others, Sophie threatening to deface 'The Madonna of the rocks' to aid her and Langdon's escape from the Louvre, flashbacks of Silas killing the other Senechaux, Silas' escape from Prison, Collet discovering the surveillance room, Fache debriefing and apologizing to Langdon and Sophie, and a scene is which Sophie and Langdon discuss religion during the flight sequence.

Many verbal exchanges between characters in many scenes are extended. From the way the critics have gone after 'The Da Vinci Code,' you'd think that Ron Howard himself had been jealously guarding the location of the Holy Grail all these years and was just now revealing it to all the world for his own nefarious (i.e. Commercial) purposes. Actually, despite all the critical hostility and rancor, this turns out to be a reasonably entertaining adaptation of a reasonably entertaining novel, far from a classic or a work of art, but hardly the pile of cinematic refuse so many of the reviewers have led us to believe it is. As a work of history, the novel is a passel of nonsense, and only those with a bent towards conspiracy theory overload would be foolish enough to believe a minute of it. But as a work of imaginative fiction, 'The Da Vinci Code' certainly gives its audience the neck-twisting workout they've paid good money to receive. It would be pointless to reiterate the plot of a novel that has probably had the biggest readership of any literary work since 'Gone With the Wind.'

Suffice it to say that a mysterious murder in the Louvre sends a Harvard symbologist and the dead man's granddaughter on a clue-driven search for the famed Holy Grail. Along the way, the two uncover a grand conspiracy on the part of a renegade Catholic order to protect a secret that, if it were revealed, could shake the whole of Western civilization down to its very foundations. Despite the phenomenal - one is tempted to say 'unprecedented' - commercial success of his work, Dan Brown is no great shakes as a writer; his characters are, almost without exception, drab and two-dimensional, and his dialogue, when it isn't being overly explicit in pouring out explanations, sounds like it was written by a first-year student in a Writer's 101 workshop.